Corina
Şuteu |
The bureaucratic time and the artist time are not the same:
bureaucracy is tempted to give answers, whereas artists are looking at
the complexity of what reality is.
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Diederik
Paalman |
A visa policy is led by the Ministry of the Interior and not by
the Ministry for Foreign Affairs, which is usually more open and relaxed
on this matter. The Ministry of the Interior is much more focused on
security issues and sees visas as a tool to regulate entry on its
territory.
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Diederik
Paalman |
We, at DG HOME, think that many of the problems that people are
confronted with in the Schengen visa system can be remedied by issuing
quicker multi-entry visas.
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Michael
Reiterer |
I would think about 3 different levels in cultural diplomacy.
First of all, diplomats have to work on frameworks to make sure that you
can travel as an artist, get a visa, there is no censorship. Secondly,
culture is a tool to work on cultural diplomacy, and I think we made a
lot of mistakes in the past. After 1989, we, collectively, did not pay
enough attention to promote Western values (…). Finally, culture is
important in diplomacy (…) because sometimes you do not know how to
communicate, so there is art.
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Michael
Reiterer |
They – the rest of the world – think Europe is a sort of economic
entity. Therefore we have to become political, we have to become more
cultural. Because I do not want to sell Europe as an import-export
club.
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Katelijn
Verstraete |
This debate on Europe (…) is taking place with young people. Are
they not more connected to the local, and the global through digital
information?
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Xavier
Troussard |
The uniqueness of this project is that we are trying to respect
diversity, implementing solidarity, to cooperate and to create a
political experiment. I see the major role of the EU as an enabler in
this process, on top of what the Member States may do, not as an entity
which should capture one image, frame it and say this is European
culture.
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Renilde
Steeghs |
The fact that we stay away from the content, that is the value.
The fact that we do not want to determine the content is in itself a
value that we are exporting.
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Renilde
Steeghs |
We should concentrate first on having the basic rights on where
the European Union can do things, where the Member States are absolutely
unable to do things on their own. And then we can prove our value and
build from that.
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Andrew
Senior |
We need to build things about how we go, about understanding how
we position ourselves, how we engage, how we converse, through culture,
through the economy (…). How can you have a dialogue with somebody if
you cannot really think about what collaboration looks like?
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